From the Streets of Kitamaat to the Prism Prize: A Deep Dive into Snotty Nose Rez Kids’ Evolution

In the realm of Canadian hip-hop, one name stands out for its unique blend of lyrical prowess, cultural significance, and an unapologetically Indigenous voice – Snotty Nose Rez Kids. Comprising Haisla rappers Darren “Young D” Metz and Quinton “Yung Trybez” Nyce, this British Columbia-based duo has been making waves since their self-titled debut album in 2017. And With each release, they’ve carved their niche deeper into the music industry, championing Indigenous culture and identity in this review, we’ll embark on a musical journey through all five of Snotty Nose Rez Kids’ albums, from the groundbreaking “The Average Savage” to their most recent triumph, “I’m Good HBU?

1: The Average Savage (2017)

The Average Savage” is a milestone in Snotty Nose Rez Kids’ journey. It’s a reflection on their Indigenous identity, addressing issues of colonization, racism, and resilience. Tracks like “Skoden” have become anthems, encapsulating the spirit of Indigenous resistance. The fusion of traditional elements with contemporary hip-hop beats is a testament to their musical innovation

TRAPLINE (2019) In “TRAPLINE,” Snotty Nose Rez Kids continue to evolve their sound, experimenting with trap-infused rhythms. This album explores personal growth and the struggles faced by Indigenous youth. It’s a sonic journey that resonates with its listeners, both musically and thematically, addressing the challenges of modern life while staying rooted in cultural heritage

. Life After (2021) Life After” delves deeper into the duo’s personal experiences and the impact of colonialism on their lives. It’s a reflective and introspective album, showcasing their lyrical maturity and storytelling finesse. The beats are a fusion of genres, reflecting the diversity of Indigenous experiences, making it a standout addition to their discograph

I’m Good HBU? (2022)

In their most recent offering, “I’m Good HBU?”, Snotty Nose Rez Kids continue to shine. This album is a celebration of resilience, a testament to the duo’s unwavering commitment to their art and culture. It’s an introspective look at their journey so far, with tracks like “Damn Right” displaying their growth and prowess. Winning the Prism Prize for the “Damn Right” video underscores their impact

Beyond their music, Snotty Nose Rez Kids’ cultural impact extends to this province, where they’ve graced audiences at the George Street Festival and the Spirit Song Festival ( I attended this festival and it was amazing to learn about indigenous culture- and I even got to be on stage with SNRK ! ) so Their unwavering commitment to Indigenous culture and advocacy reverberates through their music and community engagement

In conclusion, Snotty Nose Rez Kids have carved a unique niche in the music industry, fusing their Haisla heritage with contemporary hip-hop. Their five-album journey is a testament to their resilience, unwavering commitment to their roots, and their ability to create music that transcends boundaries. Each album is a chapter in their inspiring story, inviting listeners to join them on a voyage of cultural reclamation and artistic innovation. As they continue to evolve and inspire, their impact on the music world remains profound