Bold and Unapologetic: Why "I Am Not Myself" by Hotel Mira Deserves a Spot on Your Playlist
- Alyssa Crocker
- Feb 4, 2024
- 3 min read
Hotel Mira, hailing from the vibrant music scene of Vancouver, unleashed their sophomore album, “I Am Not Myself,” last year, and it’s a sonic journey that leaves an indelible mark The quartet, consisting of Charlie Kerr on vocals , Mike Noble on bass, Clark Grieve on guitar, and Cole George on drums, this album definitely exhibits a remarkable blend of musical prowess and raw energy across the twelve tracks
Track by track review
1 : Everything Once: Kicking off the album with a bang, this track sets the tone with infectious energy and Kerr’s distinctive vocals. The dynamic instrumentation weaves seamlessly, creating an anthemic opening that grabs your attention
2 : Fever Pitch: The tempo takes a captivating shift, and Noble’s bass work shines through, providing a solid foundation. Kerr’s lyrical storytelling takes center stage, and the song builds into a chorus that’s both catchy and emotionally charged
3: Eventually: The introspective “Eventually” slows the pace, showcasing Hotel Mira’s lyrical prowess. Kerr’s emotive delivery adds depth to the poignant narrative, while George’s nuanced drumming adds a subtle intensity
4: Alone In America: Shifting gears, “Alone In America” introduces a raw vulnerability. Grieve’s guitar riffs convey a sense of solitude, complementing Kerr’s evocative lyrics and The whole band masterfully captures the essence of isolation with an Rocking precision.
5: King Of the World: King Of the World” explodes with unapologetic confidence, featuring a contagious chorus and Grieve’s guitar wizardry. The track embodies the album’s bold spirit, leaving an indelible mark
6: Mama Slashing through with infectious energy, “Mama” is a rock-infused anthem that showcases the band’s musical dexterity. Kerr’s vocals convey a sense of rebellion, adding depth to the track’s rebellious spirit
7: Dancing With the Moonlight: The upbeat “Dancing With the Moonlight” injects a dose of energy back into the album, showcasing Hotel Mira’s ability to keep the listener engaged with dynamic shifts in tempo and mood.
8: Vampire: Switching gears, “Vampire” introduces a rock vibe, showcasing the band’s versatility. The powerful guitar riffs and Kerr’s charismatic delivery make this track a captivating highlight.
9: Silver Lake: “Silver Lake” returns to a melodic atmosphere, with its dreamy soundscapes and reflective lyrics. It adds a layer of complexity to the album’s narrative, showing Hotel Mira’s adeptness at crafting nuanced compositions.
10: Amanda: The infectious energy returns with “Amanda,” a track that seamlessly weaves together anthemic choruses and dynamic instrumentals. It’s a high-energy moment that keeps the album’s momentum alive.
11: Watering Concrete: Hotel Mira takes a contemplative turn with “Watering Concrete,” offering a thought-provoking sonic experience. The intricate instrumentation and Kerr’s introspective lyrics create a captivating synergy
12: The Age Of Detachment: Closing the album, “The Age Of Detachment” delivers a powerful conclusion, combining the album’s various elements into a climactic finale. It leaves a lasting impression, solidifying “I Am Not Myself” as a cohesive and impactful body of work
As they are Currently on tour with their Vancouver compatriots, fakeshark, Hotel Mira has been delivering electrifying performances across Canada. As they are soon approach the final leg of their tour, with a grand finale at Club SAW in Ottawa on Feb 18 Hotel Mira’s tour has been nothing but a whirlwind of sonic excellence
In conclusion, “I Am Not Myself” by Hotel Mira is a bold and unapologetic masterpiece that deserves a prominent place on your playlist. The album’s rich tapestry of sounds, coupled with Kerr’s distinctive vocals and the band’s tight instrumentation, makes it a compelling journey from start to finish. As they continue to captivate audiences on their tour, Hotel Mira proves that they are a force to be reckoned with in the music scene
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